Oulipo announces new album "Kisses To The Sky" & shares track "Dolphins"

Oulipo have announced their forthcoming album
"Kisses to the Sky" and shared lead-single "Dolphins"

It's hard to recall a band that's been as interesting to watch as Oulipo. From the first listen of Primitive Ways it was pretty clear that the band had potential to tap into a truly unique and compelling musical niche. It's been nearly three years since the release of Primitive Ways and it's clear that the band has made monumental growth since then, just take a peek into the work they've shared with the public to prove it.

Back in September of 2014 the band released a music video for "Shine On You Crazy Bastard," a track that showcased a new-found sense of restraint and maturity in their songwriting. With a compelling and sparse use of sampling, sprawling instrumentation and soaring melodies, Oulipo re-appeared as a potential powerhouse. Now the band's announced details of their upcoming full-length Kisses To The Sky, and while the release date is still forthcoming, they have shared a brand new track from the album, "Dolphins."

Kisses To The Sky was recorded over the course of a year at Bit Heart Studios in Greensboro and mixed by the iconic producer Mitch Easter at the Fidelitorium (R.E.M., Pavement) in Kersnersville. Recently Easter has been behind some of the state's finest releases from artists like Mandolin Orange and Lilac Shadows, but he's also responsible for mastering upcoming releases from folks like See Gulls and Birds of Avalon. Needless to say all you have to do is sit back with a pair of headphones to fall in love with "Dolphins."

Vocalist Ryan Trauley's voice subtly slides into a slowly building groove, wistfully gliding atop a steady rhythm. Though the verse carries along downtempo, "Dolphins" erupts into a triumphant chorus that finds Trauley's glossy falsetto unraveling into a soulful croon, making for a gorgeous musical moment. "Dolphins" alone is far more refined than any of Oulipo's previous releases, it's a rich and encompassing track that's built upon tightly packed, yet intricately layered pieces. Trauley's vocals elicit strong emotions from both their lyrical content and their melodic tendencies. And the interplay between Trauley's vocal patterns and the entrancing, yet grooving instrumentation is mesmerizing. The chorus reaches its peak with a passionate croon, and as Trauley soulfully sings out "I wouldn't dance with another," you find yourself ripped away from the moment you're in and become focused intently on these heartfelt sentiments turned into vibrant and robust pop music. Tracks like "Dolphins" and "Shine On You Crazy Bastard" provide a brief glimpse at the brilliance we have left to see from Kisses to the Sky, but you can check out the tracklist for now and just imagine how great this release is going to be.

Kisses to the Sky Tracklist
1. Nite Legs
2. Dolphins
3. Lovers On the Moon
4. Shine On You Crazy Bastard
5. Prisoner of Love
6. Amsterdam Shag
7. Blue Flames
8. Kisses to the Sky

Artist Feature: Bo White

Photo Credit: James Willamor

When you talk to most musicians about whether or not they had a direction in mind with their musical projects, you usually are greeted with a swift "no, it just kind of came out this way." It usually serves as an amalgamation of all of their current and previous influences, effortlessly turning into a style all their own. Charlotte-based musician Bo White seems to approach things a bit differently. Since White's youth he's been meticulously crafting music of all varieties, theres the math-y yet melodic indie pop of Yardwork, the guitarless symphonic pomp of Bo White y Su Orquesta and his most recent post-punk excursion of Patois Counselors, each with their own unique, defined sound that feels unlike any other. Patois Counselors will be making their live debut this Friday at Neighborhood Theatre in Charlotte, N.C. alongside acts like Diarrhea Planet, Junior Astronomers and Museum Mouth, so in advance we spoke with Bo about how the hell you can consistently make such a wide array of incredible music.

"I’m genuinely interested in most genres of music at any stage," White says, "precise to free, novice to virtuoso. I pay the most attention to unique elements that separate certain genres or sounds from others." So whereas many artists may find particular elements of a certain genre and build their sound around multiple facets, White seems to become enamored by one in particular and delve deep into the genre's possibilities. "If I want to do a different genre, I start another project," White states, which explains the myriad of acts that White has been a part of. He cites his most recent solo releases as the exception to these rules though, claiming that Adornment and Millenial Tombs were "compilations of experiments," which is quite the testament considering Millenial Tombs was listed as one of our favorite North Carolina albums of 2014. "I tried to think about them as little as possible," White proclaims, "Adornment is the compilation of what I could come up with in a weekend. Millenial Tombs is a compilation of what I could come up with in a few weeks while recovering from a stint in the hospital."

When you take into account that White can put such minimal thought into a project and still have it lauded as one of the best releases of the year, it kind of leaves you a bit floored as to what this musician is truly capable of at his finest. When discussing his creative output, White states that he's running at "medium capacity" when at his most prolific, stating that he could "write and record all day, every day" but, you know there's this whole thing called society that we probably need to interact with. Regardless of whether he's working at full capacity or not, it's astonishing to see how seamlessly White can craft such intricate works throughout such a wide selection of genres.

Frankly that astonishment is something that I'm not quite sure will ever go away. It seems as if each new project broadens White's horizons in a new and invigorating way, and that's because he's got well defined ideas as to how each new project should sound. "With any project I begin by imagining the end result," White says. "Do I want to eat Sunday brunch to this music? Do I want to spark some romance? Do I want to get bled on at the Milestone? From there I’ll shape the kernels into a form that is approximately a full song, say 3 minutes or so." If I had to take any guess as to which one of these coincides with Patois Counselors, I'd wager that its the latter. To date there's only two songs available for folks to soak in from Patois Counselors, a primarily synth-driven track entitled "Clean Skits" and "Free Jazz Complaint." The music of "Clean Skits" sounds crunchy and dissonant, propelled by brisk drumbeats and nervous wails from White that dip in and out of the mix as the warm, distorted synth line encompasses the listener. "Free Jazz Complaint" feels a bit more straight forward, it sounds a bit like if Damon Albarn were to take a foray into psyched-out punk rock. White's vocals take more of a forefront on this track while frenzied guitar lines pop in and out,  soundtracking White's meta rants on free-form music.

"I wanted to blister some paint off the walls but do it in an anti-macho, smart ass way," White says of Patois Counselors. "I’ve played punk and noisier stuff before, but people forget. Even when I’m singing Sade soul through a cassette deck with clarinet samples, I feel like I’m doing it in a punk manner." White shrugs off the fact that this may be lost to some audiences, but when you go back and analyze his music through this lens it makes a bit more sense. White's got an inherently punk attitude throughout his work and Patois Counselors serves as an excellent outlet for that attitude. It's crass, but accessible, which is why it fits perfectly on the Reverb Fest bill. Joining some of the state's most revered punk-oriented acts, Patois Counselors will make their live debut this Friday evening with a fresh new band that's "that's taken [his] parts and made them more visceral," meaning you can probably expect things to get pretty wiley.

Listen to "Free Jazz Complaint" below and check out Patois Counselors at Reverb Fest in Charlotte at The Neighborhood Theatre on Jan. 30. alongside Diarrhea Planet, Junior Astronomers, Museum Mouth and Southern Femisphere.
 

Ears to the Ground: "Bllondes" by Ghostt Bllonde

Earlier this year Ghostt Bllonde made the announcement that we'd all been waiting for, signing to a local label. When a band experiences such a meteoric rise in the scene, it's really only a matter of time until they get a crew behind them that can assist with plugging the hell out of their music in ways that bands couldn't even imagine. Negative Fun has done such for Ghostt Bllonde, giving them not only their first vinyl release, but helping them raise their profile throughout the region by pairing them and various other locals with more regionally focused artists on the east coast through their singles series.

When the band announced their Negative Fun signing they'd announced that there would be a collection of demos and unreleased singles, and evidently that time is nigh. This Saturday marks the 2nd annual Cassette Store Day, and while Nice Price Books is the only local participant in Cassette Store Day, that didn't stop Ghostt Bllonde and the Negative Fun crew from rolling out the stops for the event.

This Saturday at Nice Price, and also at Lunchbox Records in Charlotte, copies of Ghostt Bllonde's new cassette will be available for purchase in advance of the official release on Oct. 7. So in honor of the band's new release, we're lucky enough to be able to debut the lead single off of the release, "Bllondes."

Throughout the past year of the band's existence we've seen Ghostt Bllonde solidify themselves as a band who's got a powerful sense of direction and potential. Not only does Marc Kuzio and company know where they want this band to go, they know exactly how to get there. The doo-wop inspired anxiety-fueled vibes that were present on their early work have become somewhat dissipated in their more recent releases, traded in for a sleek swagger that exudes confidence and creativity. Trash-pop no more, "Bllondes" opens with a slow build of reversed guitar lines and vocal melodies before quaintly unraveling into a subdued song that explores some seriously catchy melodies and guitar grooves. Harmonies are abound, both creating rich textures and a full-bodied sound for Kuzio vocals. With harmonies and guitar lines subtly panned to and fro, the band sounds much more polished than before. Whereas their self-recorded lo-fi sound worked for their debut, it seems the band has realized that progression is key, and they're certainly progressing in bunches.

You can check out the single below and purchase the entire cassette in advance tomorrow at Nice Price Books for Cassette Store Day:

Ears to the Ground: "Doldrums" by Dad & Dad

I'll never forget the first time I heard the slow-rise of "Moonbreath" Virgins Family Band's opening track from their debut album Honeylion. The slow sense of awe, serenity and infatuation that washed over me is indescribable. It was one of those moments where the music you've always yearned for perfectly coincided with what you were actually experiencing. Sadly enough Virgins Family Band disbanded earlier this year, but they've wasted no time in re-establishing themselves as local staples with their new electronically-oriented project Dad & Dad. They made their pseudo-debut here in the Triangle this past weekend as the bulk of Derek Torres' backing band for the massive T0W3RS set at The Pour House and proved beyond a shadow of a doubt that they're some of the most versatile and talented musicians in the region.

Now, on the heels of their huge Hopscotch performance, I'm absurdly excited to premiere the first track from Dad & Dad, "Doldrums." As the track slowly unfurls there's gradual bursts of bubbling synths and airy slide guitar mixed in with delayed guitar licks and washed-out vocals. It's like if you took all of the eccentricities of Virgins Family Band and dipped them in a psychedelic wash. Saman Khoujinian's vocals feel simultaneously distant and all-encompassing, as if they're narratives from a dream, guiding the listener through a transcendental adventure. Images of afghan-wrapped travelers in the distance of a blue city, far from the doldrums, propel the song's choppy narrative, but add to the disjointed and angular nature of the track.

Whether you're focusing in on the slow-churning, astonishingly spacey instrumentation or the smooth, airy vocals that help give the track its dream-like nature, there's plenty to fall in love with about "Doldrums." It's a psych-rock track unlike any I've heard before, especially from a local crew. Dad & Dad appear to blend the most agreeable aspects of electronica and psych-pop to create something entirely new and fascinating with an infinite amount of potential. When a band comes so strong out of the gate with such a clearly defined sound, it's always exhilarating to see their progression into musical excellence. Frankly I'm already giddy to hear what comes next.

Ears To The Ground: "So Hard" by Daddy Issues

Daddy Issues (Greensboro) released their new single,
"So Hard" on Bandcamp Aug. 26

 

Within recent years the Triad region has begun to develop quite the bustling music scene. While folks who hear that statement may immediately jump towards Winston-Salem and the burgeoning scene being developed with the help of Phuzz Records, it'd be unfair to write Greensboro out of the picture so soon. The city hosts a truly eclectic mixture of acts, bands like Holy Ghost Tent Revival serve as the scene's figureheads while The Collective and Lowland Hum are gaining steam with their beautiful melodic folk. Although their orchestral tunes get bukus of focus, Greensboro has always been home to a more raucous rock scene as well. Venues thrive on DIY atmospheres, you're able to find a nationally touring act inside of an I Love NY Pizza and frankly few other cities can make that claim.

One of the acts coming out of Greensboro that's set on slowly building a name for themselves through no-frills, hooky surf rock is Daddy Issues. The female-centric surf-punk quartet is comprised of Lo Davy, Lindsey Sprague, Maddie Putney, and Amethyst White. Together they craft unabashed rock n' roll with the same tenacity of any grizzled band of unkempt dudes you can find. They toss out any preconceived notions of an entirely female rock band with their latest single "So Hard," a song that's literally about making a dude's dick so hard that he's miles away. The band are unapologetic in how crass and straight forward their songs can be, and that's what makes them so great. If you're looking for some stereotypical songs about love, boys and other ridiculously gendered topics then you can get the hell out and go listen to some Best Coast or something. If you're looking for a band that prides themselves on being original, authentic and honest as hell then look no further than Daddy Issues.

Daddy Issues fits right alongside Triangle rockers like Gross Ghost and Ghostt Bllonde (despite their lack of a spooky ghost name) and have bukus of promise lying within these simplistic songs. The band will be performing at ReverbNation's Hopscotch Day Party on Saturday, Sept. 6 at Deep South alongside Hammer No More The Fingers, Jenny Besetzt, Iggy Cosky (of The Lollipops) and thefacesblur (of Body Games).

Ears to the Ground: "Trading Love For Gold" by Morning Brigade

Morning Brigade are celebrating the release of
"Grow Around The Bones" on Sat. April 26 at Local 506
w/ Look Homeward and Birds & Arrows

For the past few years Chapel Hill's Morning Brigade have been slowly but surely building quite the reputation for themselves. Though they're still fresh-faced college students, they've performed at some of the area's premiere festivals including Hopscotch, Shakori Hills and the Eno River Festival. Their debut full-length Above Our Heads was released back in 2012, but they're already a week away from the release of their heavily anticipated follow-up Grow Around The Bones.

I spoke with Peter Vance, the band's vocalist and songwriter back in 2013 and noticed how clear of a vision the band seems to have for itself. Morning Brigade isn't clouded by visions of pomp and fanfare like one may expect from a young band that's gathered such a large local following, instead they're headstrong, focused on advancing as musicians by creating engaging and thought-provoking songs all their own. Vance said that he didn't want the band's follow-up to be a sequel to Above Our Heads, but instead something new and exciting. From the early sounds of Grow Around The Bones, it'll be just that.

Although the core of "Trading Love For Gold" was written by Vance before Morning Brigade had even formed, the collaborative aspects of the band shine through. The song has been a staple of live performances, growing over the years into an inquisitive and expansive track that tackles the reaches of love and what it's truly worth. "Trading Love For Gold" serves as a brilliant stepping stone for Morning Brigade, it's proof that they've grown markedly as an act since the release of Above Our Heads, mostly because it feels like a far more realized version of the grandiosity on display in their debut. Each instrument fits snugly into the mix and serves as a vital element to the song's structure, subtly layered harmonies and gently swelling strings give way to emotional shouts and abrupt rhythmic shifts.

Grow Around The Bones was recorded at Nightsound Studios in Chapel Hill and was produced by Chris Wimberly and Morning Brigade (with local icon Chris Stamey mixing "Trading Love For Gold" and "Elemental," the album's first two singles). Grow Around The Bones will be released officially on Saturday, April 26. The band is celebrating with a performance at Local 506 in Chapel Hill alongside Look Homeward and Birds & Arrows. With a sold-out 506 performance under their belt, I'd jump on some advance tickets for this one if you want guaranteed entry, you can purchase them at local506.com for $10, with a free CD included with admission. They'll also be performing on Friday, May 2 at Kings Barcade in Raleigh with Saints Apollo and The Walking Sticks. You can listen to "Trading Love for Gold" below:

Ears to the Ground: "Let Me Out" by Clockwork Kids

Rememory will be released on April 3

Within the past year or so it's become a bit overwhelming as to how many stellar local acts are putting out album after album, it becomes a bit hard to stand out amongst the crowded scene. However, when you're putting out your first full-length you've got to find something people can latch on to, and holy hell have Clockwork Kids done so. To celebrate the release of Rememory, their forthcoming full-length album set to be released on on April 3, the band will be performing the album in its entirety at Morehead Planetarium on UNC Chapel Hill's campus. Accompanied by a string and horn section, the group will be play beneath the stars for a synchronized light show like no other, serving as a top-notch opening for the ConvergeNC Southern Music Festival.

But looking past the release show antics, there's plenty to get excited about with Rememory. Clockwork Kids combine the dreamy aspects of shoegaze with the straightforward melodic tendencies of college rock, topping it all off with the deep, resonant vocals of Justin Ellis. "Let Me Out" gets off to a slow start, slowly rolling along with smoothly strummed guitar lines accentuated by sly overdubs. However, the song gradually builds into a brilliantly robust track, reaching its precipice as Ellis and his three guitar crew reach an emotive crescendo, bringing all of the rich layers together in one dazzling moment of clarity.

The interplay between the band members keeps this six-minute track as fresh and entertaining as a three-minute pop banger and quite frankly should get fans prepped for a night of immersive tunes at Morehead Planetarium. It's rare to see a band that packs in three guitars into one track and it doesn't just feel over the top, but Clockwork Kids' dynamic approach allows each part to shine on its own rather than muddling things up. Combine that with the guest spot from guitarist Chris Petto's father, Frank Petto further fleshing out the track with some slick organ work and you've got a pretty fantastic glance into what you can expect from the band's full-length debut.

Clockwork Kids' Rememory will be released on Thursday, April 3. Rememory was mastered by Thom Canova (The Love Language, Old Ceremony, Dex Romweber Duo) and will performed in full at Morehead Planetarium on Thursday, April 3. Admission is $10 and the show will serve as the opening event for the ConvergeNC Southern Music Festival.

Album Debut: "Rogue Band of Youth" by Rogue Band of Youth

Rogue Band of Youth will celebrate the release of
their self-titled full length at Nightlight in Chapel Hill
on Saturday, Mar. 29

Sometimes it's best to revel in simplicity. The contemporary music scene has become affixed on jamming as much detail into one track as possible, whether that be with densely packed electronic experimentations or massive orchestrations. But every now and then it's nice to be able to tune out and drop in to some stripped down music, to return to the roots and immerse yourself in music that's focused on a powerful core. Rogue Band of Youth seem to have found that sweet spot, sure you'll find a few well placed string sections that flesh out these excellent folk rock tracks, but their self-titled debut is mostly filled with straightforward tunes that flesh out rich narratives and vivid images.

This focused trio of Carrboro based musicians have been writing songs together since 2012, but even the impressive work on their previous EPs can't compare to the deft songwriting on display on Rogue Band of Youth. Tracks are contextualized with subtle field recordings that give an air of a warm southern days, tight harmonies give way to powerful melodies that soar atop a bed of delicate acoustic instrumentation. The album starts out with "Fair Shake," driven by a briskly fingerpicked acoustic guitar that slowly unfurls with a rolling vocal melody that gradually rises to a serendipitous three-part harmony seeping with emotion.

The interplay between James Patrick, Chloe Gude, and Jack Hartley's vocals is enough alone to make this self-titled debut worth a listen, but once you dig deeper into these songs you begin to clutch onto their ethos. Harmonicas are used as vibrant textures, pizzicato strings provide bouncing rhythms and lilting vocal arrangements make for dynamic tracks despite their stripped back set-ups. Rogue Band of Youth prove that you don't need 10-piece string sections or cutting edge technology to create a captivating album, what you need is a story to tell, a song to sing and a soapbox to shout from. Through their meaningful storytelling and catchy choruses, Rogue Band of Youth have crafted an immensely enjoyable album that sets the band up for a promising future with limitless possibilities. Rogue Band of Youth will be officially released on Saturday, March 29 at Nightlight in Chapel Hill alongside label mate Jphono1, Hospital Smokers and an acoustic set from T0W3RS. Check below for a full stream of the album along with their additional tour dates:

Rogue Band of Youth Tour Dates
Mar.
27 - The Mothlight in Asheville, NC
28 - Billy's Barn in Salem, VA
29 - Nightlight in Chapel Hill, NC

Apr.
3 - The Caledonia Lounge in Athens, GA
4 - WPBR Radio-room in Greenville, SC
5 - Doodad Farm in Greensboro, NC

May
2 - Slim's in Raleigh, NC

Ears to the Ground: "Creme Brulee" by Virgins Family Band ft. T0W3RS

Watching a band grow and evolve is probably one of my favorite parts of being a music listener. It's what makes it such a joy to find a band in their infancy, it's like aural cartography, watching this rich voyage taking place in front of your eyes. Such seems to be the story with Virgins Family Band, I was beyond thrilled to come upon the band before they released their first full-length record Honeylion around this time last year and sure enough here we are debuting their first new track since said debut.

"Creme Brulee" is a big step into the psychedelic frontier for Virgins, it's a fresh and invigorating take on a sound that was already brilliantly polished. While Honeylion was filled with sounds that just felt natural, "Creme Brulee" makes the listener reach a bit. Playing on heightened tensions and sharp synth lines, Virgins Family Band have taken my expectations and shattered them with a tightly focused bit of electronic experimentation.  The track reels the listener in with smooth melodies and throws them for a loop with brisk rhythmic changes and seemingly random guitar and bass fills, but there's a sense of structure to all of this absurdity. The vocals initially float wistfully atop the mix, reminiscent of their previous work, but as the track progresses they slowly mesh together with the instrumentation as harmonies bleed in and help to create a lush lyrical arrangement.

All in all "Creme Brulee" serves as a welcomed change to what I thought was an un-toppable sound. When speaking with the band about their inspiration for Honeylion they said that they chose the name for the album because that's what they felt their music sounded like. The same can be said for "Creme Brulee," while the base of the track is built around sweet and delectable melodies, it's contrasted brilliantly by a crunching synth,  and spastic instrumentation. Or maybe I just really dig food, who knows.

Check out the trippy, kaleidoscopic video for the track below or stream it on Virgins Family Bands' bandcamp page.

Ears to the Ground: "No Dark/No Light" by Lilac Shadows

It's with great pleasure that I share this brand new Lilac Shadows track with all of you. I've been intently listening to No Dark/No Light, Lilac Shadows' forthcoming full-length album set for release on Feb. 4, for a few months now. But regardless of how many times I listen to it I still find myself just as transfixed as I was on my first listen. With a revamped lineup, Lilac Shadows has come strong out of the gate for their debut full-length. No Dark/No Light finds the band delving deeper into the explorative tendencies that they toyed with on their Shallow Madness EP, they're swiftly mastering the push and pull that all great psych-rock bands harness.

"No Dark/No Light" is the album's lead single and it's a brilliant representation of what can be found on the album. Whether it's the rich dynamic shifts, the deeply layered strings or the rambling vocal melody, "No Dark/No Light" contains plenty of subtle nuances that the listener can go back and hone in on. It's a revelatory experience each time around, whether you find yourself entrenched in the encapsulating instrumentation or sucked into the equally dense vocal patterns and lyricism, it's all worthy of your undivided attention.

No Dark/No Light is a unique sonic adventure with apt titling. The album is as bold and defined as it is amorphous. Frankly it's one of those albums best experienced with minimal distractions, with eyes closed and headphones on just absorbing all of the intricacies that lie within. Granted that's easy for me to say since I've been following a similar listening pattern for a few weeks now, but if you don't believe me then give this title track the same respect. Nestle yourself inside of some blankets and pump these tunes into your ears and tell me you're not craving more. Sure you can blast this in a car or through your laptop speakers and get an equally enthralling experience, but music this wonderful deserves your aural respect. So give it such!

No Dark/No Light will be released on DiggUp Tapes on February 4. Lilac Shadows will celebrate the release of the album with a show at The Carrack Art Gallery in Durham. Joined by Midnight Plus One and Matt Northrup, Lilac Shadows will also be providing a "collaborative multimedia exhibit" so that fans can truly immerse themselves in the vibrant world of No Dark/No Light. Artists involved in the exhibit will be sharing interpretive artwork that serves as a response to their listening of the album. From Feb. 4-15, the Carrack will house this artwork along with an interactive sound exhibit, featuring samples of the album that people can interact with, creating their own soundscapes.

Artists involved includes: Harrison Haynes, Casey Cook, Ann Tilley, Will Goodyear, Katie Zickefoose, Gabrielle Duggan, JP Trostle, Brian Howe, Jeremy Withers, Thomas Dean, Janie Ledford, Grace Montgomery, Linc Hancock, Liz Bradford, Kelly Kye, David Eichenberger, Sandy Logan, Jacki Huntington, Matt Park and more forthcoming...

Check out the band's upcoming show schedule and listen to the title track below:

Upcoming Shows:

Feb. 8 - Durham, NC; The Carrack Gallery Release Show and Art Opening with Midnight Plus One and Matt Northrup

Feb. 20 - Raleigh, NC; Tir Na Nog with White Cascade and Jazz Tapes

Feb. 21 - Richmond, VA; Boyzhouse with Lonnie Walker

Feb. 22 - Washington DC; The Dunes with Lonnie Walker and The North Country

March 13 - Durham, NC; The Pinhook with Zack Mexico and The Clockwork Kids

March 14 - Charleston, SC; Swamp House with Zack Mexico and Elim Bolt

March 15 - Columbia, SC; Shredquarters with Zack Mexico and Elim Bolt

March 16 - Charlotte, NC;  Strange_House with Zack Mexico and Elim Bolt

Ears To The Ground: "St. Gloria" by Wild Fur

"St. Gloria" is the second track released by Wild Fur,
the new project from Wylie Hunter and Nick Jaeger

Lots of bands have gotten swept up into the electronic craze, but understandably so. Guitar music has been slowly phasing itself out of our world, arguably ever since Kid A dropped over a decade ago. Many claim that electronic music is the future--which may be true--but the musicians that are currently standing out have found the perfect way to blend electronic styling with those guitar driven rock tunes that have defined our era for so long.

Enter Wild Fur. Wild Fur is the new project from Wylie Hunter of Wylie Hunter and the Cazadores and Nick Jaeger of various local acts like The Tomahawks, Max Indian and Roman Candle. The songs took form earlier this year as Hunter was writing, but he quickly found that they wouldn't fit in with the Cazadores' style. Quite frankly they don't fit in with many pre-disposed styles, Wild Fur's sound is akin to an experimental Americana act that hasn't quite decided which end of the spectrum to fall on. Instead they choose to fill songs with whirring synth lines, minimalistic percussion and distorted guitars that somehow coalesce to form a sound thats simultaneously fresh and vintage.

Back in October Wild Fur debuted their first track "Keep The Band" on Speakers in Code, a wonderful blog based out of St. Louis that frequent Bottom String photographer Agatha Donkar shoots for. Shortly after that Wylie approached me to ask if I'd want to debut "St. Gloria," the band's second single. At this point I'd already listened to "Keep The Band" at least five times and was transfixed in the new direction that Hunter had taken his music. Wild Fur retains much of the rustic qualities that made The Cazadores so lovable and relatable, but delves into an exciting new territory that expands into the far reaches of the Southern aesthetic.

"St. Gloria" is a rambling, ambitious track that paints the picture of a head strong young woman named Gloria defined by late nights, red dresses and hidden scars. She's a rambunctious type that lives for the day whilst flippantly "burning bridges," but the narrator beckons for her to take down the veil before those surrounding her realize she's not the person she seems to be.

Be on the lookout for more new tunes from this promising act comprised of local favorites, because if the new tracks are anything like these past two songs then they're sure to be brilliant bursts of innovative sonic exploration.

Ears to the Ground: "Soak Our Days" by Free Clinic

Free Clinic

When I started the Ears to the Ground feature earlier this year, I figured it would serve as a good way to introduce new bands to the readers who are simply looking to expand their local music horizons.  So why not start sharing individual tracks from these upcoming groups in the state that may not have full lengths or complete releases to review or promote?  Ears to the Ground will do just that!

What better way to introduce this new series than with Free Clinic?!  Free Clinic popped up on my radar late last year, Ben Rose's blissful beach pop is sharp and sleek, coated with a distant tinge of nostalgia for careless summer days.  Free Clinic has recently taken on Villa Verde's Josh Sullivan and Wesley Hewett to fill out a rhythm section and the new trio will be playing with Virgins Family Band and Justin Lacy & The Swimming Machine at Satellite Bar in Wilmington on May 18.  With a June 29 date with Gross Ghost at The Soapbox, Free Clinic looks to be building up some momentum for yet another release this year.  Although Better When I'm High was just released in March, Free Clinic has already released a new track from an upcoming release.

"Soak Our Days" is filled with Beach Boys-esque harmonies that create a vast soundscape for this tight reverb washed pop tune to work its magic.  Rose's lyrics lead to reminisced daydreams of spending summer days in the sun, perfectly coalescing with the surf-rock vibes emanating from the instrumentation.  Free Clinic is an incredibly exciting group that's filled with potential, not to mention they're joining a Wilmington scene that seems to continue its rapid growth.  I'm stoked to see this eastern North Carolina scene blossom into something incredible, because it's well on its way.