Showing posts with label deniro farrar. Show all posts
Showing posts with label deniro farrar. Show all posts

Tuesday, November 11, 2014

Show Review: Denzel Curry & Deniro Farrar at The Cat's Cradle Backroom

Deniro Farrar at the Cat's Cradle Backroom
This was the second night in a row in which I was at the Cat's Cradle, however, this time I was going to the Backroom. When I first entered the venue, they were mixing LCD Soundsystem's "Dance Yrself Clean" with A Tribe Called Quest's "Electric Relaxation". I knew the night was going to be very interesting after delving into their pre-show playlist.

Opening the show were Greensboro rappers, Big Whiskey and Pscril. Without a DJ to mix their music, BW was left to play their music off his laptop. Regardless of the DJ situation, BW and Pscril sufficiently warmed up the crowd with some of great tracks such as "Hideaway" featuring Chapel Hill rapper Skyblew, "The Man of my City" featuring Spanish Harlem rapper Dave East, and Pscril's self-produced track, "Keep Strivin'". They ended the night with an awesome track called "Scottie Pippen", which got the crowd jumping and moshing. You can check out both rappers catalog of banger tracks on Big Whiskey's YouTube channel and Pscril's SoundCloud page.

Unfortunately, the next act, Body Games, was unable to make it due to "logistics beyond [their] control." I had first seen this Carrboro group perform at Kennedy Theatre during the Hopscotch Music Festival in Raleigh. At their show back in September, they were joined on stage by Charlotte rapper, Well$, who was the act that followed Big Whiskey and Pscril. I was not too familiar with his raps, but he drew a pretty good crowd for his set. Well$ did some acapella raps in the middle of his set, which is always impressive. At the end of his set, he told the crowd to come see him at the merch table by saying "Come talk to me, I swear I'm not awkward."

Well$ left the stage soon after I finished my second Pabst, and the atmosphere in the Cat's Cradle Backroom was getting quite 'turnt'. Flat brim hats, basketball jerseys, and saggy skinny jeans were abound in this young crowd. Lana Del Rey was playing in the background as I ascended the stairs to the upper level to get a better view of the primary acts. Gazing down at the sound guy, Deniro Farrar's manager Meko was using his phone to illuminate the setlist (SCORE!). DuRu Tha King was up next followed by JK the Reaper, and closing the night was Denzel Curry with a 40 minute set and Deniro Farrar with a 45 minute set. As I was leaning over the railing, I looked to my left and caught a glimpse of Deniro Farrar and his crew hanging out in the green room.

A few minutes later, DJ Trap hit the stage to warm up the crowd with some of his beats. He is Deniro Farrar's road DJ and enjoys playing some EDM-rap fusion. When he dropped tracks at Kennedy Theatre, they fell on deaf ears, as the crowd was fairly empty as most had been drawn to The War on Drugs show. However, he dropped several tracks that had a dubstep / brostep vibe that got the crowd jumping and moshing again.

DuRu Tha King came out to a warmed up crowd, and started dropping his own tracks. There were a few tracks that stood out above all else, one of which was "Smoked Out". You could smell a hint of ganja in the air. He ended his set with a track he played with Deniro Farrar at Hopscotch, "Social Status", however, this time it was sans-Farrar. Check out DuRu Tha King's 12-track mixtape Indoor Plus + on his DJ Booth page.

JK the Reaper, another Greensboro native, followed DuRu's set with his own DJ, Posh Shabbat (who also DJs for Denzel Curry). He had some serious sound issues, with some truly horrible reverb. One girl shouted "Don't let that get you down!" and others started a "JK" chant. The one line that stuck with me was "I feel like the rarest Yugioh card". The energy in the Backroom was palpable, as you see many locals dap each other and other friendly gestures. From atop by perch, I had a full view of all the different social groups and cliques in the venue, and overall, the crowd was VERY diverse. Before JK The Reaper's set ended, Denzel Curry came out on stage in his Xanax hoodie and started with one of his biggest tracks, "Parents".

Soon after hitting the stage with his backwards Darth Vader mask, he took off his Xanax hoodie to reveal a Stankonia shirt (major props). Many times during his set, Denzel would climb up on the leftmost speaker and eat bars like a pill-head. Halfway through Denzel's set, he picked two guys from the front row and split the crowd in two. He then instructed that the two lucky guys were the 'leaders' of the left and rights sides of the crowd, respectively. Once the beat dropped, the crowd went WILD and started moshing! I took a video of it, but it did no justice to truly express the insanity that was unfolding a few feet below the balcony, as people were getting knocked around, hitting the floor, pushing and shoving. Denzel closed his set with his biggest hit, "Threats", which is one of his trappiest bangers. Trap arms and bow-flexing soon followed.

DJ Trap came back out a few minutes after Denzel Curry's set came to a close and started dropping more of his EDM/Rap fusion tracks. The 'VIP' balcony next to me emptied out, which signaled the start of Deniro Farrar's set. His crew came out on stage first, but were quickly followed by the Charlotte-native, Dante Farrar a.k.a Deniro Farrar. He brought the bangers out first, with tracks such as the Ryan Hemsworth produced track "Big Tookie" and "Kill Your Idols". Much like his set during Thursday's Hopscotch lineup, he performed an acapella version of "Days Go By". His next track, "Fears", uses a slowed down version of Schoolboy Q's "Man of the Year", which got the crowd absolutely HYPE. Deniro commanded the crowd to wave "left, right, left, right". Deniro started handing out water bottles to the front row and said "Gotta keep you kids hydrated". After finishing one of his more recent releases, "Rebirth", Denzel Curry ran back out on stage! Deniro and Denzel closed out the night with their collaborative tracks "Bow Down" and "Feel Like That". These two young rappers have just blown up in the past year and just finished up the last stop of their Bow Down Tour, so expect some new collaborative work from them sooner rather than later.

Thursday, October 30, 2014

Show Preview: The “Bow Down” Tour feat. Denzel Curry & Deniro Farrar

Denzel Curry & Deniro Farrar
Many people may say hip-hop is dead, and that is true if you have been listening to anything on the radio. There's no depth in pop-rap, it's just a bunch of kids that want to drink Cristal or hang with Jay-Z. Who doesn't want to do that? However, there are many up-and-coming rappers that have been making a name for themselves with meaningful lyrics over some fire beats. Two rappers that have been essential in the resurrection of the rap-game are Denzel Curry and Deniro Farrar.

My first experience with Charlotte-local Deniro Farrar was at Kennedy Theatre at Hopscotch this year. His set was right before Lunice, so the atmosphere was already quite 'turnt'. We were warmed up with one of tonight's openers, Body Games, who had a special guest, join them on their visualizer, Jonah Hill. Another of tonight's openers, Well$, joined Body Games on stage for one song as well, something I'm sure we'll see some of tonight. The only set I was not excited about though was Deniro Farrar, however, my assumptions were shattered when he hit the stage. Although the crowd wasn't enormous, it felt like the room was packed wall to wall as he threw down several bangers. Deniro has also collaborated with several well-known producers including Ryan Hemsworth and Flosstradamus. He's released 5 studio albums over the course of the past four years, and even released an EP earlier this year, Rebirth. If you have been sleeping on Deniro, you need to wake up and check him out!

The other rapper on the 'Bow Down' Tour is Denzel Curry. The 19-year-old Floridian released his debut album, Nostalgic 64, over a year ago. He got his start by posting his first mixtape on SpaceGhostPurrp's Facebook page, and since then, his fanbase has grown exponentially. He collaborated with Deniro for the first time this year with their track "Bow Down". Soon after they announced the 'Bow Down' Tour which is making a stop at the Cat's Cradle Backroom tonight. The two rappers have a stacked opening line-up with several local acts including, JK The Reaper, Duru Tha King, Well$, Body Games [cancelled], and Big Whiskey.

The show starts at 8:00 and doors open at 7:00. Tickets are $15 in advance and at the door. Check out the video for Deniro Farrar and Denzel Curry's "Bow Down" below and purchase tickets here:


Monday, September 1, 2014

Hopscotch Music Festival 2014 Itinerary: Day One


Now that Hopscotch week is upon us, the time has come to buckle down and determine exactly where I need to be going to each night. With the first ever Thursday City Plaza show, the evening gets kicked off with two high-energy hip-hop acts that will hopefully provide me with the boost of adrenaline I'll be needing to get to all of the shows I need to see throughout the night. Starting things off with Tune & The Real Law and ending with trap pioneer Lunice gives a pretty good indicator that it'll be a night filled with dance-driven, bass-heavy sets from some impressive locals and nationally renown artists.

Photo courtesy of Toon & The Real Laww
Toon & The Real Laww
at City Plaza @ 7:00 pm
Toon & The Real Laww are one of the area's most underrated live acts and when they kick off the Hopscotch festivities on Thursday they'll surely grasp the attention of quite a few new fans as they open up for the legendary De La Soul. Toon & The Real Laww mix club-ready beats with impressive lyrical acrobatics and crowd-pleasing tracks. By the end of the set the festivalgoers will likely be shouting along in unison as Proffessor Toon and The Real Laww command different halves of the crowd, enlisting them as rhythmic tools for their tracks. Hopefully they'll have their full band set-up, one that blends crunching guitars with breakbeat rhythms and thunderous bass, but if not their two-man set-up with a DJ is still pretty perplexing.

Photo courtesy of De La Soul
De La Soul
at City Plaza @ 8:00 pm
This iconic hip-hop trio is the perfect headliner for the first ever Thursday City Plaza show. The fondest memory I have of the first ever Hopscotch was dancing amidst a shoulder-to-shoulder crowd at Public Enemy as the rain poured down and the music blared on. De La Soul represents an area of early 90s hip-hop that's sonically miles away from Public Enemy, but will likely boast similar vibes. Socially conscious, non-violent lyrics meld together with jazz-inspired rhythms to create a sound that's as dancey and upbeat as it is heady and introspective. It's an excellent way to kick off the first night of Hopscotch, with some no-frills mind-blowing hip-hop.

Photo courtesy of Wild Fur
Wild Fur at Lincoln Theatre @ 8:30 pm
Wild Fur begins shortly after De La Soul, so I'll likely be missing the first 15 minutes or so of Wild Fur, but surely I'll be able to recover. This electronically driven-duo is fleshed out as a four piece band that highlights the songwriting prowesses of Nick Jaeger and Wylie Hunter. While their previous work had leaned on Americana influences with some indie-pop thrown in the mix, Wild Fur is an amorphous musical entity that lies within a genre of its own. It's a darker tinged brand of neo-soul that still feels rustic at heart. I've been able to see their live set-up at Tir Na Nog recently for Local Band Local Beer and it's one you'll definitely want to catch, at least for a few songs.

Sun Club at Lincoln Theatre/Body Games at Kennedy Theatre @ 9:30 pm
Photo Credit: Grant Golden
Ah, the first conflict of the night. As always, I'm usually torn between catching sets from beloved locals and infrequently visiting touring bands. I'll likely start this block off at Lincoln to see Sun Club, a bizarre psych-pop act from Baltimore that feels vaguely reminiscent of early Animal Collective. Sun Club's latest release Dad Claps at the Mom Prom was a captivating album that simply felt constrained by their studio limitations. Not to say that the album isn't impressive, but it's clear that Sun Club thrives off of their live energy, and that makes them a must-see for the evening. I'll likely drag myself away mid-way through the set to head down to Kennedy Theatre to check out what's left of Body Games.

Body Games is one of the locals I've grown most excited about lately. They're blending dream-pop roots with heady electronic beats and entrancing visual projections, making for a truly immersive live experience. Last year they were the highlight of Hopscotch day one solely for their Lion King projection and Michael Jackson cover, so I'd imagine they'll be pulling out the stops for this Kennedy Theatre set as well.

Photo Credit: Grant Golden
Marley Carroll at Kennedy Theatre @ 10:30 pm
Any time I get the chance to see Marley Carroll live I feel obligated to jump on it. This Asheville based producer is one of the most exciting electronic artists I've come across in recent years. Not only does he craft enormous productions filled with tightly backed grooves and etherial melodies, he's also putting on one hell of a performance as he balances between an analog keyboard and turntables. Carroll will keep you entranced with his spacey soundscapes, only to rip you from your daydream with a pounding bass drum and syncopated rhythm. He's got originals like "The Hunter" and "Speed Reader" that'll linger in your head for days, but he's also capable of pulling out devastatingly dancy remixes of folks like Lotus or Polish Ambassador. He's truly earned his moniker of "the producer's producer" or "the DJ's DJ" or whatever the hell you want to call him. I prefer to simply call him fantastic.

Photo courtesy of Deniro Farrar
Deniro Farrar
at Kennedy Theatre @ 11:30 pm
While I'm admittedly not as excited for Deniro Farrar as I am the rest of the acts on the bill for Thursday night, staying around Kennedy just makes sense on a night like this. While I may hop over to Fletcher Opera Hall momentarily to see what's happening with IIII, a massive drum-ensemble taking place at 11:00,  it's only logical to end my 11:30 slot at Kennedy as I'm sure there'll be droves of folks trying to check out Lunice afterwards. Deniro is definitely an act I've been interested in seeing though. This Charlotte based hip-hop artist grinded his way through the Charlotte scene and broke out fairly quickly by signing to Vice/Warner Bros. label back in 2013, earning quite the name for himself in the process. Farrar raps in sharply spat bursts over a wide array of beats ranging from producers like Ryan Hemsworth and Flosstradamus to Blue Sky Black Death and Lunice himself. His beats are always on-point and his flow is unparalleled, a stinging rasp that always feels on the cusp of something larger. He'll be an excellent transition into the evening's main event.

Photo courtesy of Lunice
Lunice at Kennedy Theatre @ 12:30 pm
When I first saw the schedule upon release, Thursday night at Kennedy immediately struck me as one of the strongest bills on the entire lineup. It's an excellent mix of some of the most beloved uprising locals with nationally renown artists of a similar style. While Body Games and Marley Carroll lean towards dancy electronic, Farrar and Lunice stray more towards heavy, bass-driven hip-hop stylings that'll rattle your bones and compel you to move in strange ways that your body's never done before. Lunice is best known as one half of the trap gods TNGHT, and while my dreams of seeing that power-duo at Hopscotch are out the door, the only way I could top seeing Lunice in my own town is by seeing HudMo as well. But obviously that won't be happening this weekend, so getting the chance to see this prolific producer in the prime of his career is a chance you'd be foolish to miss. While there's plenty of other incredible acts performing at the same time (Thurston Moore, The War on Drugs, Landlady, Reptar, etc), Lunice is an artist that demands attention. Blazing hi-hats cut through the mix as roaring sub-bass interplays with piercing melodies, creating a bizarre yet cohesive sound that makes you want to throw your hands up and trap-arm until your body collapses onto the floor. Which I'd imagine is likely how I'll end my first night of Hopscotch.